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Page 6 of 6 .bibli { font-family: Arial, Helvetica, sans-serif; color: #666666; } 2001 Fiedler, Jeannine László Moholy-Nagy. London: Phaidon. Ares, Mara, and Veronica Duh Bauhaus: una unidad ideal (Bauhaus: An Idealistic Unity). Artinf, vol. 26, no.113, pp. 44-46. Dister, Alain La photo a l'état pur (Photography in the Pure State). L'Oeil, pp. 74 - 79, February. Stasny, Peter Zwischen Sein und Nichts: Schatten und Lichtkunst des Bauhauses bei Ludwig Hirschfeld-Mack und László Moholy-Nagy (Between Existence and Oblivion: Shadow and Light Art of the Bauhaus by Ludwig Hirschfeld-Mack and László Moholy Nagy). Ausschnitt, no. 6, pp. 15 - 28. Film: “Licht-Raum-Modulator (Light-Space Modulator),” color, silent, 4 minutes, Bauhaus-Archiv Museum für Gestaltung, Berlin
2002 Kac, Eduardo Kunst am Telefon László Moholy-Nagy (Art on the Telephone László Moholy-Nagy). In Jeannot Simmen, ed. Telematik: Netz Moderne Navigatoren, Cologne: König. Wick, Rainer K. Johannes Itten, László Moholy-Nagy und Josef Albers. Protagonisten der Pädagogik am Bauhaus (Itten, Moholy-Nagy and Albers. Protagonists of Bauhaus Pedagogy). In Carola Haut-Grzonkowski and Jörg Ziegenspeck, eds. Das Bauhaus. Dokumentation einer Fachtagung und Ausstellung. (The Bauhaus: Documentation of a professional meeting and exhibition.) Lüneburg: Erlebnispädagogik. In Carola Haut-Grzonkowski and Jörg Ziegenspeck, eds. Das Bauhaus. Dokumentation einer Fachtagung und Ausstellung, Lüneburg: Erlebnispädagogik. Amodeo, Fabio Bauhaus: le immagini di una stagione irripetibile (Bauhaus: The Images of an Unrepeatable Period). Arte, p. 137, June. Derouet, Christian László Moholy-Nagy: contacts avec l'avant-garde parisienne (László Moholy-Nagy: Contacts with the Parisian Avant-Garde). Cahiers du Musée National d'Art Moderne, no. 79, pp. 100-123, spring. Smith, Matthew Wilson Schlemmer, Moholy-Nagy, and the Search for the Absolute Stage. Theater, vol. 32, no. 3, pp. 87-101.
2003 Molderings, Herbert László Moholy-Nagy und die Neuerfindung des Fotogramms (László Moholy-Nagy and the Rediscovery of the Photogram). In Renate Heyne, ed. Kunst und Fotografie: Floris Neusüss und die Kasseler Schule für Experimentelle Fotografie, 1972 - 2002. Marburg: Jonas. Hadju, Tibor, and György Litván, "Count Michael Károlyi in Wartime England. From His Correspondence, 1941-1946." The Hungarian Quarterly, vol. 44, no. 172, pp. 104-105, 108-109. Winter, 2003. Clément Chéroux, “László Moholy-Nagy et la structure du médium (László Moholy-Nagy and the structure of the medium)” in Clément Chéroux, Fautographie: Petite histoire de l’erreur photographique (Fautografie: A little story about photographic error), pp. 81-89. Éditions Yellow Now, Chrisnée, Belgium. Claire Sykes, “The Institute of Design,” Photographer’s Forum, 18-25. September. On the Art Institute of Chicago’s exhibition, “Taken by Design: Photographs from the Institute of Design, 1937-1971,” 2002. Oliver A. I. Botar, “Biocentrism and the Bauhaus.” The Structurist no. 43/44, pp. 54-61. Saskatoon, SK, Canada. Explores the influence of Raoul Francé on Bauhaus masters.In the same issue there is a photograph by László Moholy-Nagy on p. 83. 2004 Bartram, Alan Bauhaus, Modernism, and the Illustrated Book. New Haven: Yale University Press. Film: “Fény-Kép: Hommage á Moholy-Nagy László" (Light-Picture: Homage to László Moholy-Nagy), color, sound, 37 minutes, by Erika Kocsor, Magyar Televizió Lori Oden, “László Moholy-Nagy (1895-1946): Vision in Motion.” International Photography Hall of Fame & Museum, vol. 20, no. 4, p. 1. The Kirkpatrick Center, Oklahoma City, OK. Krisztina Passuth, “László Moholy-Nagy: From Segmental Man to Total Man,” unpaginated, László Moholy-Nagy: A Life in Motion: Paintings, Sculpture, Drawings and Photography. Annely Juda Fine Art, London, 18 October-18 December. Sean Ulmer, “László Moholy-Nagy: The Late Photographs.” Unpaginated. Insight. The University of Michigan Museum of Art, Ann Arbor, MI. November-December. Accompanying the exhibition of Novenber, 2004-February, 2005. Magdolna Kolta, editor. Treasures of the Hungarian Museum of Photography. The Hungarian Museum of Photography, Kecskemét. A bilingual compilation (Hungarian-English) that includes several photographs by László Moholy-Nagy. Photography Speaks/150 Photographers on Their Art. The Aperture Foundation, New York and London. Moholy-Nagy on pp. 136-137 Botar, Oliver A. I. László Moholy-Nagy’s New Vision and the Aestheticization of Scientific Photography in Weimar Germany. Science in Context, vol. 17, no. 4, pp. 525-556. Broadhead, Marlis Manley What Do We Want? IIT Magazine, pp. 4-6, 25. Fall. Engelbrecht, Lloy The Formation of a Renaissance Man: László Moholy-Nagy’s Secondary Schooling in Hungary. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 1-14. Iskin, Ruth E ‘From Pigment to Light:’ Moholy-Nagy’s Art and Theories on Light as a New Medium. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 47-75. Kolta, Magdolna, editor A Fotómúzeum Kincsei (Treasures of the Photography Museum). Kecskemét: Magyar Fotógrafiai Múzeum. In Hungarian and English. 2005 Gottfried Jäger, Rolf H. Krauss, Beate Reese, Concrete Photography/ Konkrete Photografie. Kerber Verlag. A bilingual book (English-German) Film: “A Mester Tanítványai: Moholy-Nagy László Emlékére (The Master’s Disciples: In Memory of László Moholy-Nagy),” color, sound, 52 minutes, by Zsuzsa Dessewffy, Magyar Televizió Christine Kühn, editor. Neues Sehen in Berlin – Fotografie der 20er Jahren. Kunstbibliothek, Berlin. Kovalovsky, Márta A Modern Magyar Festészet Remekei, 1896-2003 (Magnificent Modern Hungarian Paintings, 1896-2003). Budapest: Corvina Kiadó. Weideman, Paul Light Perception and Space: Turning the Lens on László Moholy-Nagy. Pasatiempo, pp. 40-41. Santa Fe: The New Mexican, March 25-31. 2006 Anker, Paul Biology and the Bauhaus. Tate Etc. no. 6, pp. 43-55. Spring. Bailey, Stuart The Gesamtwerker. Tate Etc. no. 6, pp. 58-60. Spring. Sahli, Jan Filmische Sinneserweiterung: László Moholy-Nagys Filmwerk und Theorie (Cinematic Broadening of the Senses: Film and Theory of László Moholy-Nagy). Marburg: Schüren Verlag. Anker, Peder Bauhaus at the Zoo. Nature, v. 439, p. 916, 23 February. Hudson, Mark When the Sky Was the Limit. Daily Telegraph, 25 February. Inotai. Edit Moholy-Nagy, a háborús tudósító (Moholy-Nagy, the war correspondent). Népszabadság, p. 11, 4 July. Jones, Jonathan Lost in Translation. The Guardian, pp. 18-20, 7 March. Kaufhold, Enno László Moholy-Nagy im neuen Licht: Farbfotografien als Künstleriches Medium (László Moholy-Nagy in New Light: Color Photographs as an Artistic Medium). PhotoNews, 18. Jahrgang, nr. 7/8, p. 8, July/August. Pearlman, Hugh Design for Living. New Humanist, March-April Haus, Andreas, et al. Dynamik der Gross-Stadt: ein filmisches Experiment nach László Moholy-Nagy. Universität der Künste Berlin. Film in black/white, silent, 7 minutes. Helm, Sebastian, and Maximilian Sauerbier. Dynamik der Gross-Stadt: Filmmanuskript László Moholy-Nagy. Film in color, silent, 20 minutes.
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