1974
Rotzler, Willy, and Max A. Wyss, eds.
Photographie als künstlerisches Experiment: Von Fox Talbot zu Moholy-Nagy
(Photography as Artistic Experiment:
from Fox Talbot to Moholy-Nagy). Lucerne.

Steckel, Hannah
Lászlò Moholy-Nagy: 1895 -1946.
Entwurf seiner Wahrnehmungslehre
(Lászlò Moholy Nagy: 1895 -1946:
An Outline of His Teachings on Perception). Berlin: Freie Universität, Ph.D. dissertation.

Bruns, Renée L.
Moholy-Nagy: A Portfolio of Images
Never Before Published by a Master
Who Influenced Modern Design.
Popular Photography, August.

“Konstruktivisten.”  Kunsthalle Basel.  Reprint of the catalogue to the exhibition of 16 January-14 February 1937.  The Silver Fox Press, Redding, CT.

1975
Fawkes, Caroline
Photography and Moholy-Nagy's
Do-It-Yourself Aesthetic. Studio,
vol. 190. pp. 18 - 26, July-August.

Keseru, Katalin and Júlia Szabó
The Beginnings of László Moholy-Nagy.
New Hungarian Quarterly, vol. 16, no. 57,
pp. 187 - 93.

Thwaites, John Anthony
Perhaps the Best Verdict. Art and Artists,
vol. 10, pp. 28 - 35, April.

1976
Grundberg, A.
Photography; Chicago, Moholy and After.
Art in America, vol. 64. pp. 34-35, September.

Kántor, Lajos
Moholy-Nagy és a Korunk kapcsolata
(Moholy-Nagy's relationship with Korunk). Valóság, December.

Film: “László Moholy-Nagy: Painting Photography Film,” color, sound, 25 minutes, by The Open University for the third level arts course, Modern Art 1848 to Present

Miklós, Pál
Moholy-Nagy példája
(Moholy-Nagy's example).
Kritika, no. 3.

Sers, Philippe
Les recherches expérimentales de
Moholy-Nagy pour inventer l'art du 20e siècle (The Experimental Research of Moholy-Nagy
to Invent the Art of the 20th Century). Connaissance des Arts, pp. 82 - 89, December.

1977
Bakos, Katalin
Moholy-Nagy László 1923-as Alekszandr Rodcsenkóhoz irt levele
(Moholy-Nagy's letter of 1923 to Rodchenko).
Ars Hungarica, no. 2.

Beke, László
László Moholy-Nagy, the Light-Artist. Interpressgrafik, no. 1.

Betjeman, John
Hungarian at Eton and Oxford.
The Times, London, 6 August.

Bouisset, Maiten
László Moholy-Nagy:
une technologie du sensible
(László Moholy-Nagy: a Technology of Sensibility). XXe Siècle, pp. 137 - 139.

Fontcuberta, Cristina Zelich-Joan
László Moholy-Nagy: diseño, tecnologia, máquina, socialismo (Moholy-Nagy:
design, technology, machine, socialism).
Nueva Lente, June.

Moholy, Lucia
Bauhaus im Rückblick (Looking back at
the Bauhaus). Du, no.3, pp. 50 - 65, 74.

Pap, Gyula
Moholy-Nagy, László kiállítása ürügyén
(On the occasion of László Moholy-Nagy’s exhibition). Ars Hungarica, no. 1, pp. 147-150.

“Moholy-Nagy  Photographe: Homme de la Transparence.” Zoom: le Magazine de l’Image 42, pp. 28-32, Paris.

1978
Haus, Andreas
Moholy-Nagy: Fotos und Fotogramme (Photographs and Photograms). Munich: Schirmer-Mosel.

Beke, László
Beteljesûlt próféciák: Moholy-Nagy László, Festészet, fotográfia, film (Prophecies come true: László Moholy-Nagy's Painting, Photography, Film). Filmkultúra, no. 5.

Morrison, C. A.
Chicago Dialectic. Artforum, vol. 16,
pp. 32 - 39, February.

1979
Sugár, Erzsébet, ed.
Moholy-Nagy, László. A festéktôl a fényig (László Moholy-Nagy. From Pigment to Light). Bucharest: Kriterion Könyvkiadó.

Moholy-Nagy, László
Auf allen Gebieten....(In All Areas…).
Form und Zweck, vol. 11. no. 3, pp. 26 - 27. Reprinted from Von Material zu Architektur, Munich, 1929.

Karmel, P.
Photography under Moholy's Eye:
A Retrospective of Work from Chicago's
Institute of Design. Art in America,
vol. 68, October.

Paisey, Robin M.
László Moholy-Nagy in Leicester.
Ars Hungarica, no.1, pp. 161 - 69.

Passuth, Krisztina
Moholy-Nagy et Walter Benjamin.
Cahiers, vol. 5, pp. 398 - 409.

Beke, László
Moholy-Nagy László munkássága
(The Work of László Moholy-Nagy).
Budapest: Corvina.

Lusk, Irene-Charlotte
Montagen ins Blaue: László Moholy-Nagy, Fotomontagen und Kollagen, 1922 - 1943 (Montages Out of the Blue: Moholy-Nagy Photomontages and Collages, 1922 - 1943).
Giessen: Anabas. Mansbach, Steven A.
Visions of Totality: László Moholy-Nagy,
Theo Van Doesburg, and El Lissitzky.
Ann Arbor, MI.: UMI Research Press.

1981
Lippert, Klaus
Bauhaus und Kinematographie:
László Moholy-Nagy (1895-1946),
ein Pionier des Films (Bauhaus and Cinemaphotography: Moholy-Nagy,
a pioneer of films). Prisma, no. 12,
pp. 242-254.

Senter, Terence A.
Moholy-Nagy's English Photography.
Burlington Magazine, vol. 123,
pp. 659-671, November.

1982
Caton, Joseph Harris
The Utopian Vision of Moholy-Nagy.
Ann Arbor: UMI Research Press.

Passuth, Krisztina
Moholy-Nagy. Budapest: Corvina.
Subsequent editions published in German, French, and English.

Gartside, Thomas
Philadelphia's Heirs to Moholy-Nagy Reject 'Formalist' Tag. New Art Examiner, 10 December, pp. 10 - 11.

Olbrich, Harald
Moholy-Nagy und der Konstruktivismus: Bemerkungen zum Verständnis
(Moholy-Nagy and the Constructivists:
Remarks towards an Understanding). Wissenschaftliche Zeitschrift der Hochschule
für Architektur und Bauwesen Weimar,
vol. 23, no. 56, pp. 525 - 529.

1983
Allen, James Sloan
The Romance of Commerce and Culture: Capitalism, Modernism, and the
Chicago-Aspen Crusade for Cultural Reform. Chicago: University of Chicago Press.

Haus, Andreas
Moholy-Nagy: Material, Nature, and Industry.
In Stanislaus von Moos and Christiaan Smeenk, eds. Avant-garde und Industrie. Delft:
University Press.

Heller, André and Ernst Bloch
Die Trilogie der möglichen Wunder
(The Trilogy of Possible Miracles).
Roncalli, Flic Flac, Theater des Feuers.
Vienna: Medusa.

Brendel, János
From Material to Architecture.
Polish Art Studies, vol. 4. pp. 47-60.

Katzumie, Masaru
Bauhaus stamp series. Graphic Design,
vol. 3, December.

Lerner, Nathan
Souvenirs de Moholy-Nagy et du
New Bauhaus (Memories of Moholy-Nagy
and the New Bauhaus). Photographies,
no. 3, p. 31.

Solomon-Godeau, Abigail
Armed Vision Disarmed: Radical Formalism
from Weapon to Style. Afterimage, vol. 10,
pp. 9-14, January.

Margolin, Victor
László Moholy-Nagy: Photographer.
In George Walsh, Colin Naylor and
Michael Held. eds. Contemporary Photographers, New York: St. Martin's Press.

1984
Rattner, Ruth
Projecting the Fourth Dimension: Two Constructions by Lázló [sic] Moholy-Nagy. Bulletin of the Detroit Institute of Arts,
vol. 61, no. 4, pp. 4-13.

1985
Traub, Charles, ed.
The New Vision: Forty Years of Photography
at the Institute of Design. Aperture, no. 87,
pp. 4-76. Millerton, NY.

Botar, Oliver A.I.
Constructed Reliefs in the Art of the Hungarian Avant-Garde: Kassák, Bortnyik, Uitz and Moholy-Nagy 1921 - 1926. Structurist,
no. 25/26, pp. 87 - 98.

Horak, Jan-Christopher
The Films of Moholy-Nagy. Afterimage,
vol. 13, pp. 20 - 23, Summer.

Pastor, Suzanne. E.
Photography and the Bauhaus.
Archive, pp. 4 - 25, March.

Philips, Sandra S.
Man Ray and Moholy-Nagy:
Rayographs and Photograms. Arts in Virginia, vol. 25, no. 2 - 3, pp. 48-63.

1986
van der Marck, Jan
László Moholy-Nagy:
'Konstruktion in Emaille 1'
(‘Enamel Construction 1).
Art Press, pp. 84 - 86, September

1987
Berman, Avis
An Interview with Katharine Kuh.
Archives of American Art Journal,
vol. 27, no. 3, pp. 2 - 36.

Findeli, Alain.
László Moholy-Nagy:
Alchemist of Transparency.
Structurist, no. 27 - 28, pp. 4 - 11.

Kostelanetz, Richard
Moholy-Nagy: Proto-Holographer.
The Structurist, no. 27 - 28, pp. 12 - 21.

Geary, David
Transparency in Art in the Early Part of the Twentieth Century. The Structurist,
no. 27 - 28, pp. 23 - 27.

Norton, Deborah
The Bauhaus Metal Workshop:
1919 - 1927. Metalsmith, no. 7,
pp. 40 - 45, Winter.

Passuth, Krisztina
Le rôle de l'avant-garde hongroise:
(Moholy-Nagy, Kassak, Péri) dans le développement des mouvements
d'avant-gardes est-ouest (1909-1926)
(The Role of the Hungarian Avant-Garde
in the Development of East-West Avant-Garde Movements (1909-1926). Ph.D. dissertation, Sorbonne, Paris.

Vadas, József
László Moholy-Nagy,
an Apostle of the Beauty of Technology. Interpressgraphic, no. 2, pp. 10-17.

Wick, Rainer K.
Ästhetische Erziehung in Gesellschaftsverändernder Absicht
(Aesthetic Education in Order to Change Society). Cahier ICSAC, no. 6-7, pp. 225-248.

1988
Botar, Oliver A. I.
L. Moholy-Nagy and the Hungarian-American Council for Democracy: Documents. Hungarian Studies Review, vol. 15, no. 1, pp. 77-84.

Hardt, Jürgen Sascha.  Film: “Dynamik der Großstadt,” color, silent, 17 minutes, Theater der Klänge, adapted from the film script by László Moholy-Nagy

Findeli, Alain
De la photographie á la peinture: Leçon de László Moholy-Nagy (1895-1946) (From Photography to Painting: The Lesson of László Moholy-Nagy). Hungarian Studies Review, vol. 15, no. 1, pp. 53-62.

Kirkpatrick, Diane
Light in the Work of László Moholy Nagy. In Ladislav Matejka, ed. Cross Currents: A Yearbook of Central European Culture – 7.
Ann Arbor: University of Michigan Department
of Slavic Languages and Literatures.

Kirkpatrick, Diane
Time and Space in the Work of László Moholy-Nagy. Hungarian Studies Review, vol. 15,
no. 1, pp. 63-76.

Lockridge, Rebecca Bryant
Analysis of Photographic Style: A Systems Approach. Journal of American Culture,
vol. 11, no. 1, pp. 43-53.

Passuth, Krisztina
László Moholy-Nagy: La grande roué (László Moholy-Nagy: The Great Wheel). Art Press,
pp. 12-13, December.

1989
Glüher, Gerhard
László Moholy-Nagy:
Frühe Photographien (Early Photographs).
Das Foto-Taschenbuch 16. Berlin: Nishen.

McRobbie, Kenneth
A Pioneer of the Hungarian Avantgarde.
In Ladislav Matejka, ed. Cross Currents:
A Yearbook of Central European Culture 8,
Ann Arbor: University of Michigan
Department of. Slavic Languages & Literatures.

Mertens, Ute
Erweiterung der Gestaltungsmöglichkeiten
durch neue Medien am Beispiel der Film und Fotogrammarbeiten bei László Moholy-Nagy (Extension of the Formal Possibilities of New media in the Example of László Moholy-Nagy. Hildesheim.

Kaplan, Louis
László Moholy-Nagy and the Plague
of Plagiarism. Yearbook of Interdisciplinary Studies in the Fine Arts, vol. I, pp. 15-35.

Sachsse, Rolf.
Fotomontaz w Bauhausie (Photomontage in
the Bauhaus). Sztuka, vol. 14, no. 4, pp.12-15.