1925
Moholy-Nagy, László
Malerei, Fotografie, Film
(Painting, Photography, Film).
Bauhaus Books 8. Munich: Langen.

Moholy-Nagy, László
Das Bauhaus in Dessau.
Qualität, pp. 4-5, May-June.

Moholy-Nagy, László
Bauhaus und Typografie.
Anhaltische Rundshau, 14 September.

Moholy-Nagy, László
Kunstbetrachtung = Weltbetrachtung
(View of Art = View of the World).
Offset Buch- und Werbekunst, no. 6.

Moholy-Nagy, László
Richtlinien für eine synthetische Zeitschrift (Guidelines for a Synthetic Newspaper).
Pásmo, vol. 1, no. 5-6. Brno.

Moholy-Nagy, László
Zeitgemässe Typographie—Ziele, Praxis,
Kritik (Contemporary typography: Goals, Practice, Criticism).
In Gutenberg Festschrift zur Feier des 25 Jährigen Bestehens des Gutenbergmuseum
in Mainz (Gutenberg Festschrift for the Celebration of the 25 Year Existence of the Gutenberg Museum in Mainz).
Mainz: Gutenberg- Gesellschaft.

1926
Moholy-Nagy, László
Ismus oder Kunst (Isms or Art).
Vivos Voco, 5, September.

Moholy-Nagy, László
Fotoplastische Reklame/Fotogramm/Das Fotogramm in der Werbe-gestaltung (Photoplastic Advertisements/ Photograms/
The Photogram in Advertising Design).
Offset-, Buch und Werbekunst, no. 7.

Moholy-Nagy, László
Geradlinigkeit des geistes—Umwege der
Technik (Directness of the Mind—Technological Detours). Bauhaus 1, no. 4.

Moholy-Nagy, László
Typophoto. Pásmo 2, no. 1, pp. 16-17. Brno.

1927
Moholy-Nagy, László
A jövô színháza a teljes színház (Total Theater
is the Theater of the Future). Dokumentum, March, pp. 6-7. Budapest.

Moholy-Nagy, László
Wie soll das Theater der Totalität verwirklicht werden (How the total theater should be realized). Bauhaus, no. 3, p. 6. Dessau.

Moholy-Nagy, László
Die beispiellose Fotografie (Unparalleled Photography). i10 Internationale Revue 1,
no. 3. Amsterdam.

Moholy-Nagy, László
Die Photographie in der Reklame
(Photography in the Advertisement) Photographische Korrespondenz 63.
September. Vienna.

Moholy-Nagy, László
Eine Programmandeutung für fotografische
Arbeit (A Suggested Program for Photographic Work). Führer 1/DAV, pp. 19-23. Berlin.

Moholy-Nagy, László
Diskussionsbeitrag zu Kállais Artikel 'Malerei und Photographie' (Contribution to the Debate about Kallai’s Article,
‘Painting and Photography’).
i10 Internationale Revue 1,
no. 6, pp. 233-234. Amsterdam.

1928
Moholy-Nagy, László
Fotografie ist Lichtgestaltung
(Photography is Design with Light).
Bauhaus, vol. 2, no. 1, pp. 2-9. Dessau.

Moholy-Nagy, László
Der sprechende Film (The Talking Film).
i10 Internationale Revue,
vol. 2, no. 15. Amsterdam.

Moholy-Nagy, László
Zu den Fotografien von Florence Henri
(On Florence Henri’s Photography).
i10 Internationale Revue, vol. 2,
nos. 17-18. Amsterdam.

Moholy-Nagy, László
Neue Wege in der Photographie
(New Paths in Photography).
Photographische Rundschau,
vol. 65, pp. 33-36. Halle.

Moholy-Nagy, László
A fénykepezés megújulása
(The Rebirth of Photography).
Munka, no. 2. Budapest.

1929
Moholy-Nagy, László
Von Material zu Architektur
(From Material to Architecture).
Bauhaus Book 14. Munich: Langen.

Moholy-Nagy, László.
Confession: In Answer to Your Interview.
The Little Review, no. 12, May. New York.

Film “Impressionen vom alten marseiller Hafen [Vieux Port] (Impressions of the old Marseilles Harbor [Vieux Port]),” black/white, silent, 9 minutes, by László Moholy-Nagy

Moholy-Nagy, László
The Future of the Photographic Process. Transition, 15 February. pp. 289-293. Paris.

Moholy-Nagy, László
Die Optik in Tonfilm (Optics in Sound Film).
Film und Volk, no. 3, July. Berlin.

Moholy-Nagy, László
Das Kind des Anderen
(Someone else’s child). Filmkroniek
(movie review). i10 Internationale Revue,
vol. 2, no. 17/18, pp. 118-119. Amsterdam.

Moholy-Nagy, László
Johanna von Orleans
(Joan of Orleans). Filmkroniek
(movie review). i10 Internationale Revue,
vol. 2, no. 17/18, pp. 119-120. Amsterdam.

Moholy-Nagy, László
Sturm über Asien (Storm over Asia).
i10 Internationale Revue, vol. 2, no. 19. Filmkroniek (movie review). Amsterdam.

Moholy-Nagy, László
Scharf oder unscharf? (Sharp or Fuzzy?).
i10 Internationale Revue, vol. 2, no.20,
pp. 163-67. Amsterdam.

Moholy-Nagy, László.
Fotogramm und Grenzgebiete
(Photogram and Frontiers). Die Form,
vol. 4, no. 10. Berlin.

Moholy-Nagy, László
Experimentale Fotografie
(Experimental Photography).
Das Neue Frankfurt, no. 3. Frankfurt.

Moholy-Nagy, László
Jeszcze o elementach
(Once more about the elements).
Praesens, no. 2, pp. 157-165. Warsaw.

Moholy-Nagy, László
La photographie ce qu'elle était,
ce qu'elle devra être (What photography
has been and what it must become).
Cahiers d’Art, vol. 4, no. 1, pp. 29-30. Paris.

Moholy-Nagy, László
Az ember és a háza (Man and His House). Korunk, vol. 4, no. 4, pp. 298-299. Kolozsvár.
Grobleben, Paul.

Moholy-Nagy, Photographie der Gegenwart
und wir! (Photography of the Present and Us!) Photofreund, no. 24, pp. 480-481.

Starke, H.
Der Sinne der modernen Photographien.
Ein Vortrag von Professor Moholy-Nagy
(The Meaning of Modern Photographs.
A Lecture by Professor Moholy-Nagy).
Berliner Tagesblatt, no. 44.

Warstatt, Willy
Die 'entfesselte' Kamera' und die 'produktive Photographie'. Zu den Ideen von Professor Moholy-Nagy (The ‘unchained’ camera and ‘productive photography.’ On the ideas of Professor Moholy-Nagy).
Deutscher Kamera-Almanach.

1930
Roh, Franz, L. Moholy-Nagy: 60 Fotos.
Berlin: Klinkhardt and Biermann.

Das Deutsche Lichtbild: Jahresschau 1930. Verlag Robert & Bruno Schultz, Berlin.  Photographs by Moholy-Nagy on pages 23 and 76.

Film: “Ein Lichtspiel schwarz weiss grau (A Lightplay black white gray)” black/white, silent, 6 minutes, by László Moholy-Nagy

Moholy-Nagy, László
Lichtrequisit einer elektrischen Bühne
(Light Prop for an Electric Stage).
Form: Zeitschrift für gestaltende Arbeit,
vol. 5. pp. 297-299, June. Berlin.

Moholy-Nagy, László
Typographie—wohin geht die typografische Entwicklung? (Typography – where is typographical development heading?).
In Heinz and Bodo Rasch eds.
Gefesselter Blick: 25 kurze Monografien
und Beiträge über neue Werbegestaltung. Stuttgart: Verlag Zaugg.

Moholy-Nagy, László
A szelet-embertôl az egész emberig
(From Segmental Man to Total Man).
Korunk, vol. 5, no. 2. Kolozsvár.

Moholy-Nagy, László
Az új film problémái (Problems of the new film). Korunk, vol. 5, no. 10, pp. 712-19. Kolozsvár.

Pán, Imre, Moholy-Nadzsi [sic],
a modern mûvészetek és tudományok professzora (Moholy-Nadzsi,
the Professor of Modern Arts and Sciences). Lantos Magazin, pp. 123-25. Budapest.

Rabinovszky. Máriusz
A fényképezô ember (The Photography Man). Magyar Mûvészet, pp. 641-46. Budapest.

1931
Moholy-Nagy, László
Fényjáték-film (Light Display Film).
Korunk, no. 12, pp. 866-67. Kolozsvár.

Film: “Berliner Stilleben (Berlin Still Life),” black/white, silent, 9 minutes, by László Moholy-Nagy

Modern Photography: The Special Autumn Number of “The Studio.”  The Studio, London.  Photograph by Moholy-Nagy
on p. 72

Winkler, Hugo
Appreciation. Qualität: Ware und Werbung; Zeitschrift für wirtschaftlich Bildung und Qualitätsproduktion, 9, no. 1-2, pp. 8-20.
Moholy-Nagy issue.